Real scope
We define what the song needs and what is already solved before pricing the work.
STUDIO · PRODUCTION · MIX · MASTER
Premium service quoted per project
From an idea in your head to a song that fills the space.
We create instrumentals, capture vocals, build mixes with identity and deliver masters prepared for release. Every technical decision serves the sound you want to represent.
- Music Production is NOT included in Orbit or ConstellationProduction, recording, mixing and mastering are quoted separately
- Single, EP or albumThe scope adapts to the project’s size and actual state
- Documented processDeliverables, revisions, rights, timing and payments are put in writing
PREMIUM SERVICE · ADDITIONAL COST
Distribution releases your music. Production creates the sound.
Music Production is NOT included in the USD 22 Orbit or USD 32 Constellation plans. Composition, beatmaking, recording sessions, vocal editing, mixing and mastering are reviewed and quoted independently for each project.
Project-based quote
Cost depends on songs, services, complexity, sessions, revisions and deliverables.
No empty promises
We do not sell a “hit sound.” We build a technically solid result that remains faithful to the artist’s identity.
FROM IDEA TO FINAL MASTER
Six stages. One sonic vision.
Production is not an automatic chain of plugins. It is a process of creative decisions, performance, editing, balance, technical control and critical listening.
PROJECT: NEW_UNIVERSE_0148 kHz · 24-bit
STAGE 01
Creative direction and pre-production
We listen to references and define emotion, audience, energy, structure, vocal tone and release objective. This conversation prevents a technically correct but artistically misguided song.
- References and sonic language
- Key, tempo and structure
- Resources, sessions and schedule
- Scope, rights and deliverables
STAGE 02
Composition, arrangements and beatmaking
We build the musical foundation from scratch or develop an existing idea. We shape rhythm, harmony, melody, sound, transitions and dynamics so the instrumental has its own identity.
- Original beat and sound design
- Arrangements, hooks, drops and bridges
- Electronic, urban and hybrid projects
- Documented splits, licenses and contributions
STAGE 03
Vocal recording and editing
We seek a convincing performance before an artificially perfect voice. We select takes, clean, align and tune with the agreed degree of intervention.
- Performance direction
- Comping and take selection
- Pitch and timing adjustment
- Cleanup, breaths and doubles
STAGE 04
Mixing with depth and intention
We place each element within the spectrum and space. The mix seeks clarity, impact and emotion without erasing the personality of the production or voice.
- Balance and panning
- EQ and dynamics
- Ambience, effects and automation
- References and translation tests
STAGE 05
Mastering and final quality control
We review the mix as a whole, adjust tonal balance, dynamics, level and peaks, and verify the final file for the agreed destination. The goal is not to make it louder at any cost.
- Tonal and dynamic control
- Loudness and True Peak
- Consistency across songs
- Quality control and test encoding
STAGE 06
Organized versions and delivery
We deliver the agreed files with clear names and a structure ready for the next step. Additional versions are included only when listed in the quote.
- High-resolution stereo master
- Instrumental, acapella or clean version when applicable
- Stems when contracted
- Version log and final approval
COMPOSITION AND BEATMAKING
An instrumental is not a background. It is the world of the song.
We can create from an idea, lyric, melody, demo or reference. The goal is to develop an original sonic language, not deliver a generic copy of the current trend.
Idea and emotion
We define what the listener should feel and the purpose of each section.
Rhythm and energy
We design groove, percussion, bass and movement for the genre and audience.
Harmony and melody
We build chords, motifs, hooks and contrasts that support the voice.
Sound design
We select, synthesize and process textures with intention.
Clear rights from the beginning.
The quote and agreement must state authorship, splits, beat ownership, licenses, samples and any third-party material. A “purchased” beat does not always grant every imaginable use.
VOCAL RECORDING AND EDITING
We capture the performance. We correct without erasing the artist.
Vocal editing should strengthen intention, intelligibility and consistency. The degree of tuning, timing and processing is decided according to the song’s aesthetic.
Capture
Levels, distance, performance, takes and vocal direction.
Comping
Selecting the best parts without losing emotional continuity.
Tuning
Transparent correction or a creative effect according to the agreed intention.
Timing
Rhythmic adjustment of phrases, doubles and harmonies while preserving naturalness.
MIXING
Every sound finds its place, weight and distance.
Mixing turns separate tracks into a coherent experience. We shape relationships: voice against instrumental, kick against bass, closeness against depth, energy against space.
- Balance
Hierarchy among voice, rhythm, bass, harmonies and details.
- Frequency
Clarity and control of buildups without stripping character.
- Dynamics
Impact, stability and movement without crushing the performance.
- Space
Panning, depth, reverb, delay and dimension.
- Automation
Intentional changes so the mix breathes and tells the song.
- Translation
Testing on different systems to find problems, not promise identical sound.
REFERENCE A/BTRANSLATION CHECKACTIVE
MASTERING
The final check before entering the world.
Mastering prepares the final mix for the agreed destination. It adjusts the whole, checks for errors and organizes delivery. It does not replace a weak mix or make every system reproduce identically.
QUALITY CONTROLSTREAMING MASTERDestination: digital platforms
DESTINATION 01
Master for digital platforms
We control level, peaks, dynamics and test encoding, recognizing that each service can apply its own normalization and playback processing.
- High-quality stereo master
- Measured True Peak and loudness
- Distortion and clipping review
- File prepared for distribution within the agreed scope
DESTINATION 02
Performance or DJ version
When the project requires it, an additional version can be quoted for the show context: structure, intro, outro, dynamic margin and behavior on high-energy systems.
- Extended version or edit when applicable
- Low-end and energy testing
- Separate file from the main master
- Additional deliverable defined in the proposal
DESTINATION 03
Coherent sequence for an EP or album
We do not master each song as an island. We review level, tone, dynamics, spacing and transitions so the complete project preserves its intention.
- Consistency across songs
- Order and transitions
- Organized versions and names
- Final quality control of the whole project
“More volume” does not automatically mean “better sound.”
Spotify, for example, uses playback normalization and devices may behave differently. The goal is therefore a balanced, controlled master appropriate for the agreed use, not chasing an isolated number.
WHAT THE DELIVERY MAY INCLUDE
Clear files. Identified versions. No scope confusion.
The quote will state exactly what is produced, how many revisions are included and which files the artist receives.
Stereo master
Final lossless file at the agreed resolution for distribution or professional use.
Instrumental
Version without the lead vocal when included in the contracted scope.
Acapella
Processed vocals or vocal files according to the need and agreement.
Mix groups
Organized buses or stems when the project requires performance, remixing or archiving.
Clean version
Adaptation without explicit language when needed for media or events.
Show version
Intro, outro or performance edit when quoted as an additional deliverable.
IMPORTANT
Stems, full sessions, source files, plugins, individual tracks, alternate versions and extraordinary revisions are not presumed included. They must be expressly listed in the quote and agreement.
QUOTE ACCORDING TO THE PROJECT
Not everyone enters the studio from the same point.
We can handle one specific stage or accompany the complete journey. The budget is built after reviewing the material.
01RELEASE
Single
One song with a defined scope: full production, recording, mixing, mastering or a specific combination.
- Ideal for validating a collaboration
- One objective and a specific date
- Quote per song
02PROJECT
EP
Several songs connected by one identity. It requires planning, consistency and resource control.
- Sonic direction for the full project
- Schedule and staged deliveries
- Mix and master consistency
03CATALOG
Album
A broader production system with direction, priorities, versions, follow-up and consistency control.
- Phased planning
- Detailed budget and schedule
- Staged deliveries and approvals
You can also hire one stage:
BeatmakingVocal recordingVocal editingMixingMasteringShow version
PRODUCTION BRIEF
Tell us what you have. We will identify what is missing.
Complete this brief and we will open WhatsApp with an organized message for the team. It does not process payment or confirm a booking.
We listen
We review the starting point and references.
We define
We define services, deliverables, revisions and timing.
We quote
We present a separate and transparent proposal.
FREQUENTLY ASKED QUESTIONS
Before entering the studio, let us make everything clear.
These answers describe the general model. Each project will have a written scope and its own quote.
No. The USD 22 and USD 32 plans cover distribution and the tools listed in each plan. Production, recording, mixing and mastering are quoted separately.
Yes. We can quote an independent stage if the files meet the necessary technical conditions. Before accepting, we review the material and explain what must be corrected if there is a problem.
We do not publish one price because projects do not all start from the same point. Cost depends on composition, sessions, track count, editing, complexity, revisions, versions and deliverables.
The number of revisions is stated in the quote. We also distinguish between a correction within scope and a creative direction change requiring additional work.
Authorship, splits, master ownership, beat use and licenses are defined in writing according to each person’s actual contribution. No universal formula is assumed.
Yes, provided the license permits the intended use and you can prove it. We will review restrictions on streams, monetization, Content ID, synchronization, exclusivity and modifications.
No. Platforms normalize or encode differently, and each playback system has its own response. Mastering seeks good translation and technical control; additional versions can be quoted when the use requires them.
Only when they are part of the agreed scope. Stems, multitracks, sessions, presets, source files and plugins must be expressly listed in the quote.
Certain stages can be organized remotely. The feasibility of recording, shared listening and delivery depends on the project, location and file quality; it is confirmed during the quote.
IDEA · SOUND · RELEASE
Your next song can begin with one message.
Send us the starting point, references and objective. We will review what the project needs before presenting a quote.
